Old West, New Weave
Few have done more than John Wayne to prove that an American classic never goes out of style.
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The John Wayne Journal is a collection of stories that celebrate the legacy of John Wayne through art, events, special collaborations, and more.
Few have done more than John Wayne to prove that an American classic never goes out of style.
Good thing the man with the reins to The Alamo was John Wayne.
In August of 1927, a little-known USC football player named Marion Morrison—nicknamed “Duke” by his friends—announced to his disappointed father that he was dropping out of college.
When John Wayne’s youngest son Ethan became manager of his father’s estate, he discovered about 30 wooden vaults that had been sealed by executors after his father’s 1979 passing.
Red River is, like its star John Wayne, an American classic. Released in 1948, this landmark addition to the Western canon is so iconic that director Peter Bogdanovich picked the name of the movie to appear on the marquee of the small Texas town in The Last Picture Show.
Years ago, John Wayne’s granddaughter Jennifer Wayne set out from California for Nashville to fulfill her musical dreams.
Number 76 on AFI’s list of the 100 greatest love stories, The Quiet Man sizzled with the on-screen chemistry of its stars, who were no more than genuinely good friends.
Last year marked the 50th anniversary of the release of one of John Wayne’s most controversial movies—The Green Berets.
Patrick Wayne has lived a life rich in variety and adventure, from time as a Coast Guardsmen to a long career in TV and film, and more recently, as chairman of the John Wayne Cancer Institute.